Beata Hlavenková

Alternative/Indie, Jazz, Contemporary folk, Classical, Crossover Jazz, Crossover, Minimal Czechia
S Beata Hlavenková

Past concerts

Oslava 70 let Care: Příběhy pomoci Praha 2 – Nové Město, New Town Hall Oslava 70 let Care: Příběhy pomoci
Beata Hlavenková & Kapela snů Nový Bohumín, Kostel Slezské církve evangelické Beata Hlavenková & Kapela snů
SOČR uvádí: Beata Hlavenková & Kristina Barta Praha – Holešovice, DOX⁺ SOČR uvádí: Beata Hlavenková & Kristina Barta
Beata Hlavenková & Kapela Snů + special guest: HRTL Praha 3 – Žižkov, Palac Akropolis Beata Hlavenková & Kapela Snů + special guest: HRTL
Beata Hlavenková Praha 4, Theater Dobeška Beata Hlavenková
Hudební Odyssea: Beata Hlavenková & students Praha 3 – Žižkov, Žižkov Atrium Hudební Odyssea: Beata Hlavenková & students


Beata Hlavenková  Zahrada  0 5 5:06 0 ×
Zátopek Original Motion Picture Soundtrack  Unequalled  0 5 5:28 15 ×
Beata Hlavenková  Socha  0 5 4:10 0 ×
Beata Hlavenková  Fevrouarios  0 5 4:16 1 ×
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About Beata Hlavenková

Beata Hlavenková, a pianist, composer, singer, arranger and producer, is one of the most distinctive contemporary women musicians with an unmistakable authorial voice that transcends individual genres. If we are looking for a single word that would describe her best, it is “courage”: courage to experiment and to look for unconventional harmonies and arrangements. The genre freedom—supported by deep knowledge of jazz, modern classical music, pop and song-writing—blends together in all her projects with a clearly recognisable concentrated and sensitive interpretation.

She has six solo records to her name. Joy For Joel (2009), the piano record Theodoros (2013), also the albums Scintilla (2015), Bethlehem (2017) and albums of songs and poems set to music called Sně (2019) and Žijutě (2021). All the records were nominated for the Anděl award and two records were successful and won (Theodoros, Sně).

Hlavenková collaborates both with Czech and foreign musicians, she composes music for film (Dukla 61, Zátopek, The King of Šumava: The Phantom of the Dark Land) and theatre (VerTeDance and others) as well as for children (Pišlické příběhy, Ó, ó, ó, vajíčko). Last but not least, she arranges songs, from small acoustic pieces or sound design all the way to a symphonic orchestra.

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