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"The first step in liquidating a people … is to erase its memory. Destroy its books, its culture,its history. Then have somebody write new books, manufacture a new culture, invent a new history. Before long that nation will begin to forget what it is and what it was. The world around it will forget even faster." – Milan Kundera, The Book of Laughter and Forgetting, 1980

Societies require continuity and connection with the past to preserve social unity and cohesion and people need to know where they come from to be able to adjust to the circumstances of the present and challenges of the future. One of the most insidious consequences of the slave trade and European colonialism in Africa was the devaluing and dismantling of precolonial histories and cultures. The African artifacts in Western museums are symbols of the cultures that were robbed of their people and material heritage, ruthlessly subjugated, or gradually hollowed out and disassembled.

Restitution is only one step in a long journey toward the reconstruction of memory and cultural self-reinvention. Artists are taking other steps, mining family archives, highlighting individual stories, recuperating lesser-known histories, imagining different power dynamics, and constructing alternative narratives.

Part one of this exhibition brings together artworks that explore, in different ways, how the body absorbs, processes, stores, and recalls experiences. Many of the artists exploit the gap between personal and official narratives, grappling with the precarity of memory and responding to histories of dislocation and loss. Working with fragments and traces, utilizing repetition and shadow play, stressing the importance of language in remembering and resisting, collapsing time, and encouraging us to employ all our senses to experience and remember, they explore the slippages between fact and fiction, imaginatively reconstructing connections to the past in the void left by history.

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